![]() With that in mind, and with a clear end-point of how the entire Prequel Trilogy would be concluded, I postponed re-working my Episode III edit and turned my eye to the full Trilogy. I realized that these movies could be cut deeper, that more nuance could be applied within scenes to change tone and improve dialog, which improves character and audience reaction. No longer could I be satisfied Mike Nichols' releases. Technical/quality issues with my early drafts led me to where I found the expertise and assistance needed to resolve the challenges I was facing.īy that time however I'd come to understand just how much could be achieved with fanediting. I'd never edited anything before and my first attempts were crude at best, but over time I refined my ideas on how the PT could be concluded with a stronger, more compelling final chapter. With Nichols choosing to never release an edit of Episode III I began playing around with the idea of editing it myself. ![]() ![]() For a long time both it and his follow-up edit of Episode II were my ‘definitive’ versions of the films. ![]() As is the case for many fans of Star Wars, The Phantom Edit went a long way toward rescuing the original Phantom Menace for me. ![]()
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